Introducing: Jilk

اسهم بنك الاهلي jilkDo you find yourself yearning for ambient soundscapes and aural delicacies that flutter and chatter around you like little glitch-sects in the electronic undergrowth? Do you find yourself positively cock-a-hoop at the prospect of classical instrumentation and soothing synth sounds entwining? Do you think to yourself on a regular basis: “ السهم البنك العربي You know what, guitar bands just aren't cutting the mustard with me anymore, I need something new and experimental that takes me to, I don't know, another world or something. Oh and some decent bass would be nice too... ufx trading If these symptoms sound all too familiar, let me introduce you to  المتاجرة في الذهب Jilk, most definitely the remedy you've been waiting for.

الأسهم العالمية مباشر Born in the Midlands but based in Bristol, Jilk, real name Jonathan Worsley, has been producing music for many a year, having released various EPs since 2009. This year sees the release of the thoroughly enchanting  سعر الذهب السعودية اليوم Retreat to Sleep debut album. Released on electronic music label Bit-Phalanx, افضل شركات تداول العملات فوركس بالكويت Retreat to Sleep is an astounding piece of work and a magical world of found-sounds and delights to enter into. Featuring the wonderful musicians that join him live, as well as others - including Japanese electronica legend  أسعار الاسهم مضاربة Coppé, who features on one track - these consciousness/unconsciousness themed experimentations are, without doubt the stuff dreams are made of. اسهم قطر ربح أموال إضافية بسرعة Retreat to Sleep is out now on Bit-Phalanx. Listen to “I Put Your Tape On” from the album below.


One Response to “Introducing: Jilk”

  1. bleezy 02/11/2013 at 5:11 pm #

    مقارنة موثوق الخيارات الثنائية وسطاء i stumbled across your site through “hypem”. your music sounds like the electronic equivalent to the now defunct band, Perpetual Groove. they also believed in aural transformations through layers, textures, and patience. you have a nice ear. please keep sharing.